Through the media of painting, sculpture and installation, my work investigates a personal connection with the natural world. This interdisciplinary approach allows me to create works that play between seeing oneself as an intrinsic part of the natural landscape, as well as an observer of it.

These gathered and reclaimed objects of nature become re-contextualized with crocheted thread coverings in an attempt to “prop up” or “put back” what has been abandoned, broken. The attentive caring and support structures that surround the objects investigate the relationship between nurturing and controlling nature. The meticulous act of crocheting mimics the instinct to nurture and protect what is viable, what is becoming precious. As in gilding, these false “skins” imbue the objects with an assumed desirability or value; the wrapping becomes an act of veneration. Although futile in its attempt at archiving and preservation, there is the desire to suggest optimism. My interest in the objects extends from the notion of landscape and how we not just experience, but also negotiate with the natural world. Do we feel warm and fuzzy, or do we distance ourselves? How do we “care” for that which we depend upon?